ºÚÁÏÉçÇø

To develop this interdisciplinary assignment, Tai collaborated with members of Miami’s English department, including Cathy Wagner, a creative writing professor in the English Department, and Justin Chandler, a PhD candidate in literature.

Tai explained that she wanted to incorporate creative writing into her course, “but I had no idea how to write such things.” She reached out to Wagner, who was directing the creative writing program at the time.

The capstone course assignment “seemed like this. . .really terrific way to fulfill our mission as a liberal arts university” and “to get [ºÚÁÏÉçÇøs] to think about ways of imaginatively applying scientific knowledge to real world problems,” Wagner said.

“When you write with characters,” she continued, “you have to fling yourself into the consciousness of that character.” That allows you to view problems, including those “that might have formerly seemed quite abstract,” to “suddenly come into view” as the writer “think[s] about what decisions a person would have to make under particular circumstances.”

Wagner also put Tai in contact with Chandler, who also has an MFA in Creative Writing. He was excited by the opportunity to guest teach in Tai’s course to introduce ºÚÁÏÉçÇøs to principles of fiction writing.

“Fiction is an exercise in empathy and stepping away from your normal experience,” Chandler said. Reading and writing science fiction can help individuals think about “what happens to the people who are left out of this experience,” he said.

To scaffold this assignment, Tai has ºÚÁÏÉçÇøs read one of several selected science fiction texts, like Margaret Atwood’s Oryx and Crake or Kazuo Ishiguro’s Never Let Me Go. She asks them to analyze the book by identifying the scientific practice or theory in the story and the way it affects the society. Students must also identify intended benefits and unintended consequences. They also write a reflection connecting the story to an existing ethical issue in scientific practice in society.

Tai also makes clear how ºÚÁÏÉçÇøs should engage with these texts for the course. She asks them to pay attention to what happened and how the discipline can “go wrong.” Tai prepares ºÚÁÏÉçÇøs to read and analyze scientific texts in ways that support their learning in the course. “In a way, I’m limiting the way they reading and the watching experience they can have” when engaging similar texts outside of class, she said.

In addition, Tai has creative writing graduate ºÚÁÏÉçÇøs and faculty as guests in the course. In the spring 2021 capstone, both Chandler and assistant professor Jody Bates have helped Tai teach this assignment. By having guest teachers, Tai is able to introduce ºÚÁÏÉçÇøs to experts in creative writing and embrace her own position as someone learning to write science fiction, too.

Tai’s collaboration with creative writers at Miami has helped her support ºÚÁÏÉçÇø learning in creative, interdisciplinary ways. She also has been writing alongside her ºÚÁÏÉçÇøs throughout this process, something that she said has encouraged her to be vulnerable with her ºÚÁÏÉçÇøs.

Tai said she did not get to finish her own story before sharing it with ºÚÁÏÉçÇøs. “I know this is not a perfect story,” she told her class, but “these are the story elements you should have.” She said she does it to provide an example for ºÚÁÏÉçÇøs who are also trying to write in a new genre that they may not have encountered before.

When Chandler Zoomed in to teach the basics of fiction writing in Spring 2021, Tai participated in the activities alongside her ºÚÁÏÉçÇøs. One of Chandler’s activities involved having ºÚÁÏÉçÇøs add concrete details to the sentence I ate a peanut butter and jelly sandwich. Adding concrete details to simple, declarative sentences can make them more meaningful, he explained.

One of the ºÚÁÏÉçÇøs wrote “a really scary story out of peanut butter and jelly,” Tai explained. The details made it feel like “something is watching you.” When the class ran out of time for everyone to share their revisions, Tai asked ºÚÁÏÉçÇøs to post them to an online discussion board to continue the conversation.

This practice of sharing and being vulnerable with ºÚÁÏÉçÇøs in her capstone course has led to Tai sharing her experience with ºÚÁÏÉçÇøs in other classes, too. “When I talk to ºÚÁÏÉçÇøs,” she said, “I tend to talk about my challenges, also.”

Tai’s work to develop this writing project has led to a continued partnership with members of Miami’s Creative Writing Program as she teaches this assignment for a second time. She also received a Special Recognition for a Transformative Writing Project in the 2021 Howe Award for Excellence in Disciplinary Writing Instruction.

Have you been innovating writing and its teaching in your classroom or program? Read about the Roger & Joyce Howe Award for Excellence in Disciplinary Writing. Nominations for the 2022 edition of the award will open in the Fall.